EDITION x Sarrita King 2024
Photographer Elena Caldaci | Earrings Phoebe Porter | Model Cindy Rostron from Sun People Creative and Chadwick Models Australia
Concept | 'Walking on Country'
Sarrita King, artist and Gurindji Waanyi women and myself collaborated to create our collection ‘Walking on Country’
The starting point was a new original artwork 'Trails' hand painted by Sarrita King on Larrakia Country (Darwin). 'Trails' is inspired by mark making on the land and human paths of travel as seen from a bird’s eye view. Sarrita and myself then worked back and forth to refine the scale, colours and visual impact of 'Trails' when produced as a design for fabric. The final fabric designs were screen-printed by hand onto 100% linen by Publisher Textiles (Sydney). The fabric was then sent to my studio on Ngunnawal and Ngambri Country (Canberra) where I developed new garment designs using my signature zero waste pattern making method, considering each piece of fabric so the beauty and impact of the original artwork was maximised.
From there Sarrita designed the 'Flow' artwork (black base fabric with matte gold and bright gold) similar to the original 'Trails' artwork Sarrita was exploring tracks and paths through the design. 'Flow' was then printed on 70% Tencel 30% linen by Publisher Textiles.
For the Goddess dress, over 3m of hand painted gold and bronze lines were painted by Sarrita to create the dynamic shapes for the Goddess dress.
Half of this dress was painted when Sarrita sent it to my studio to see what shape I thought would work for the dress. I initially thought I could make the dress with the half (so Sarrita didn't have to paint so much more!) But Sarrita wanted a train on the dress and thought the design worked best running down the body rather than across. With a zipper down the side and large sleeve the only part cut out is the small piece for the neckline.
Sarrita King, artist and Gurindji Waanyi women and myself collaborated to create our collection ‘Walking on Country’
The starting point was a new original artwork 'Trails' hand painted by Sarrita King on Larrakia Country (Darwin). 'Trails' is inspired by mark making on the land and human paths of travel as seen from a bird’s eye view. Sarrita and myself then worked back and forth to refine the scale, colours and visual impact of 'Trails' when produced as a design for fabric. The final fabric designs were screen-printed by hand onto 100% linen by Publisher Textiles (Sydney). The fabric was then sent to my studio on Ngunnawal and Ngambri Country (Canberra) where I developed new garment designs using my signature zero waste pattern making method, considering each piece of fabric so the beauty and impact of the original artwork was maximised.
From there Sarrita designed the 'Flow' artwork (black base fabric with matte gold and bright gold) similar to the original 'Trails' artwork Sarrita was exploring tracks and paths through the design. 'Flow' was then printed on 70% Tencel 30% linen by Publisher Textiles.
For the Goddess dress, over 3m of hand painted gold and bronze lines were painted by Sarrita to create the dynamic shapes for the Goddess dress.
Half of this dress was painted when Sarrita sent it to my studio to see what shape I thought would work for the dress. I initially thought I could make the dress with the half (so Sarrita didn't have to paint so much more!) But Sarrita wanted a train on the dress and thought the design worked best running down the body rather than across. With a zipper down the side and large sleeve the only part cut out is the small piece for the neckline.
EDITION 2023
Photographer Elena Caldaci | Earrings Phoebe Porter | Necklaces Jenni Martiniello | Model Tannwyn Lewis of Scout NT
Concept |
This EDITION 2023 collection was created after being inspired by the Ikuntji Artists and their stories, travelling to Larrakia Country and my beautiful model muse Tannwyn Lewis of Scout NT.
Seeing this collection come together on the beach with the stunning cliffs and rocks of Casuarina Reserve was just as I had imagined.
This EDITION 2023 collection was created after being inspired by the Ikuntji Artists and their stories, travelling to Larrakia Country and my beautiful model muse Tannwyn Lewis of Scout NT.
Seeing this collection come together on the beach with the stunning cliffs and rocks of Casuarina Reserve was just as I had imagined.
EDITION 2022
Photographer Lauren Campbell | Jewellery Phoebe Porter | Models Holly Komorowski, Ash Costello, Cris O'Brien, Sally Strang and Bianca Way
Concept |
For this collection I was inspired by the beautiful Ikuntji Artists fabrics. I let the fabrics inspire the shapes and tried to create simple shapes that looked like pieces of art but could also be easily worn. The other fabrics were ones I had in the studio, I tried not to buy anything new and use what fabrics I already owned.
I loved shooting this collection with the home.by holly team of real estate agents. They embody so much confidence and wear my pieces so comfortably.
For this collection I was inspired by the beautiful Ikuntji Artists fabrics. I let the fabrics inspire the shapes and tried to create simple shapes that looked like pieces of art but could also be easily worn. The other fabrics were ones I had in the studio, I tried not to buy anything new and use what fabrics I already owned.
I loved shooting this collection with the home.by holly team of real estate agents. They embody so much confidence and wear my pieces so comfortably.
EDITION x Phoebe Porter 21/22
Photographer Lauren Campbell | Jewellery Phoebe Porter | Models Nicola Cooper, Lauren Sutton and Kate Cooper
Concept |
Following on from the Story lines collection I created in 2020, I wanted to build a collection that was more promotional. It has been 10 years since I created my graduate collection in 2011. I loved how freely I designed back then, not worried if it would sell easily but whether people would love it and be inspired by it. The following concepts all come through again and loved working with Ikuntji Artist Mavis Marks 'Women's business story' fabric print from the Northern Territory.
- Family ties
- Stories
- Connection to family and land
For this collection I decided to focus on the lines of the garments and look at how the shapes and silhouettes worked on women of all ages and body shapes.
As for many people, especially in the creative industries, 2021 has been just as tough as 2020 and has brought many challenges to small businesses who have had to adapt to the current restrictions. For me I was able to still offer my clients private consultations in my home studio while many people were working at home and wanting to avoid the large shopping centres. I also continued to make sustainable face masks for people locally and interstate.
Phoebe and I loved using an all female team again to shoot this collection.
Following on from the Story lines collection I created in 2020, I wanted to build a collection that was more promotional. It has been 10 years since I created my graduate collection in 2011. I loved how freely I designed back then, not worried if it would sell easily but whether people would love it and be inspired by it. The following concepts all come through again and loved working with Ikuntji Artist Mavis Marks 'Women's business story' fabric print from the Northern Territory.
- Family ties
- Stories
- Connection to family and land
For this collection I decided to focus on the lines of the garments and look at how the shapes and silhouettes worked on women of all ages and body shapes.
As for many people, especially in the creative industries, 2021 has been just as tough as 2020 and has brought many challenges to small businesses who have had to adapt to the current restrictions. For me I was able to still offer my clients private consultations in my home studio while many people were working at home and wanting to avoid the large shopping centres. I also continued to make sustainable face masks for people locally and interstate.
Phoebe and I loved using an all female team again to shoot this collection.
Story lines 20/21
Photographer Lauren Sutton | Jewellery Phoebe Porter | Models Nicola Cooper and Kate Cooper | Hair and makeup Hayley Boyle
Concept |
- Family ties
- Stories
- Connection to family and land
In this collection for EDITION, jeweller Phoebe Porter and I collaborated to create a collection that worked together to create a timeless look for women. Phoebe and I first meet in 2014 when we had neighbouring studios at ANCA Dickson. We found our design ethos was similar and our clothing and jewellery were complimentary when worn together. Since then Phoebe and I have collaborated on many events and projects.
For this collection I decided to focus on the lines of the garments and look at how the shapes and silhouettes worked on women of all ages and body shapes. Only using the black and grey stripe fabric and black fabric allowed me to give attention to the detail of the shapes instead of focusing on colour.
As for many people, especially in the creative industries, 2020 has brought many challenges to small businesses who have had to adapt to the current restrictions. For me I was able to still offer my clients private consultations in my home studio while many people were working at home and wanting to avoid the large shopping centres. I also made sustainable face masks for people locally and interstate.
With the temporary closure of many retail outlets, Phoebe has been offering private consultations at her Gorman Arts Centre studio and found that many people are making a strong commitment to shopping local. With events and travel plans cancelled or postponed, people are looking for other ways to celebrate important milestones, and a special piece of jewellery can be the perfect way to do this.
Phoebe and I loved using an all female team to shoot this collection, in particular Nicola and her daughters Kate modelling and Lauren shooting. We decided to shoot in my backyard to connect to where the garments and made and then walked to the end of the street to shoot amongst the gum trees and show our beautiful bush capital and how much it impacts and inspires our work.
- Family ties
- Stories
- Connection to family and land
In this collection for EDITION, jeweller Phoebe Porter and I collaborated to create a collection that worked together to create a timeless look for women. Phoebe and I first meet in 2014 when we had neighbouring studios at ANCA Dickson. We found our design ethos was similar and our clothing and jewellery were complimentary when worn together. Since then Phoebe and I have collaborated on many events and projects.
For this collection I decided to focus on the lines of the garments and look at how the shapes and silhouettes worked on women of all ages and body shapes. Only using the black and grey stripe fabric and black fabric allowed me to give attention to the detail of the shapes instead of focusing on colour.
As for many people, especially in the creative industries, 2020 has brought many challenges to small businesses who have had to adapt to the current restrictions. For me I was able to still offer my clients private consultations in my home studio while many people were working at home and wanting to avoid the large shopping centres. I also made sustainable face masks for people locally and interstate.
With the temporary closure of many retail outlets, Phoebe has been offering private consultations at her Gorman Arts Centre studio and found that many people are making a strong commitment to shopping local. With events and travel plans cancelled or postponed, people are looking for other ways to celebrate important milestones, and a special piece of jewellery can be the perfect way to do this.
Phoebe and I loved using an all female team to shoot this collection, in particular Nicola and her daughters Kate modelling and Lauren shooting. We decided to shoot in my backyard to connect to where the garments and made and then walked to the end of the street to shoot amongst the gum trees and show our beautiful bush capital and how much it impacts and inspires our work.
Wedding collection SS20
Photographer Amy Dobos of All The Love Letters | Hair by Sam from Angel Hair Roseville Sydney | Makeup by Charlie Muttdon | Florals by Monique Heddle
Concept |
Beauty, connection, bonded
I have always been inspired by the women in my life and how I can make them look and feel their best in EDITION garments. I loved creating this collection for my sister's wedding as she is a constant inspiration in my life. She is such a positive, energetic, compassionate person and I wanted this to come through in the collection.
The shapes of the dresses were influenced by the bride and bridesmaids and I spent time with each woman to understand their body shape and making sure they felt as comfortable as possible in their dress. For Marney's wedding dress the sleeves were a key detail so that is what I focused on with the design. The fabric I used is a cotton blend and had a beautiful stretch that allowed for a figure hugging dress that was still elegant. The dress was designed in a short amount of time due to a less than three month engagement! I have written a blog following the process of making the dress if you would like to see more images.
The dress that I wore is called the Low Back dress. I love to show a womens back and think it is one of the most stunning features of the female body. I also wanted the neckline to be high, as the wedding was in February in Sydney and I am prone to heat rashes on my chest. Like many women covering the chest makes me feel more confident and makes your bust look bigger.
The bridesmaid Meg wore a version of the Cape dress that was shorter, with a lower front, more through the back and then worn with the 'wings' of the dress to the back. Amy's dress was similar to Meg's dress but she wanted to show her waist so we put the dress with a twist belt. Monique wanted to show she had a waist and the Tie dress is perfect for that.
The mother of the bride dress for my Mum was a challenge to get the right balance between looking like a traditional 'mother of the bride dress' and too trend based. When I found the deep green fabric with the large ferns on it I thought it was a stunning print and perfect for my Mum. From there we looked at what sleeves would work well to cover her arms and then how tight she wanted the dress and what length I would make it. This collection is something I am truely proud of.
Beauty, connection, bonded
I have always been inspired by the women in my life and how I can make them look and feel their best in EDITION garments. I loved creating this collection for my sister's wedding as she is a constant inspiration in my life. She is such a positive, energetic, compassionate person and I wanted this to come through in the collection.
The shapes of the dresses were influenced by the bride and bridesmaids and I spent time with each woman to understand their body shape and making sure they felt as comfortable as possible in their dress. For Marney's wedding dress the sleeves were a key detail so that is what I focused on with the design. The fabric I used is a cotton blend and had a beautiful stretch that allowed for a figure hugging dress that was still elegant. The dress was designed in a short amount of time due to a less than three month engagement! I have written a blog following the process of making the dress if you would like to see more images.
The dress that I wore is called the Low Back dress. I love to show a womens back and think it is one of the most stunning features of the female body. I also wanted the neckline to be high, as the wedding was in February in Sydney and I am prone to heat rashes on my chest. Like many women covering the chest makes me feel more confident and makes your bust look bigger.
The bridesmaid Meg wore a version of the Cape dress that was shorter, with a lower front, more through the back and then worn with the 'wings' of the dress to the back. Amy's dress was similar to Meg's dress but she wanted to show her waist so we put the dress with a twist belt. Monique wanted to show she had a waist and the Tie dress is perfect for that.
The mother of the bride dress for my Mum was a challenge to get the right balance between looking like a traditional 'mother of the bride dress' and too trend based. When I found the deep green fabric with the large ferns on it I thought it was a stunning print and perfect for my Mum. From there we looked at what sleeves would work well to cover her arms and then how tight she wanted the dress and what length I would make it. This collection is something I am truely proud of.
Unfold Collection 18/19
Photographer Lauren Campbell | Models Catherine Sutton, Marney Sutton and Alice van Meurs | Earrings and bracelets Phoebe Porter
I have been thinking about this for a while so feels great to see it come together! I absolutely love working with professional models but have thought that as the EDITION woman is probably more like your mum, grandma, aunty or sister it would make more sense to show them in my clothing. When I had the girls I thought what a great opportunity to test out this idea with my own mum and sister. Thanks for agreeing to model and always inspiring me, Marney and Mum.
Concept |
Unfold; gradually develop or be revealed, evolve, emerge, grow, progress
Through this collection I have explored the relationship between a women and her body and how this can be altered by a garment. I love to explore the female form through different stages of life. Being pregnant and now feeding small babies, has affected the clothing I wear and design. The ever evolving nature of this change has inspired me to draw parallels between my design practice and this process.
Concept |
Unfold; gradually develop or be revealed, evolve, emerge, grow, progress
Through this collection I have explored the relationship between a women and her body and how this can be altered by a garment. I love to explore the female form through different stages of life. Being pregnant and now feeding small babies, has affected the clothing I wear and design. The ever evolving nature of this change has inspired me to draw parallels between my design practice and this process.
Defining Place Collection SS 17/18
Photographer Lauren Campbell | Model Kirrily Noble | Hair and Makeup Hayley Boyle | Earrings Phoebe Porter
Concept |
How a new place and travelling informs designing a collection
At the start of 2017 I travelled to Seoul, South Korea as part of the Australia Korea Emerging Designer Exchange Program. When applying for this program I was forced to think about EDITION's point of difference and purpose. This collection was really exciting for me as I decided to go right back to the start of my design process and look at the importance of zero waste fashion and how my Selvedge to Selvedge pattern making had developed.
While travelling as part of the program I was inspired to create a new collection from what I saw, I purchase fabrics in Seoul from the markets that I used in the two printed fabrics in the collection including the V top and Print Tie dress. I also meet a lovely lady named Meriel from Full Circle Fibres while in Brisbane and used her beautiful Aussie Super Cotton in the collection including the Raw jacket, Tie dress, Long jacket and Cape dress.
Seeing the huge volume of garments in Seoul confirmed to me that creating small collections and custom orders is a way that I can put what I create in the world and it will be loved and appreciated for a long time.
At the end of the program I invited two of the Korean designers to come to Canberra and stay with me for the weekend. Eeunhee and Kate kept saying that the colours of Canberra and the beautiful flow and calmness was reflected in my garments. I have always thought this myself and was wonderful to hear it from designers from the other side of the world.
How a new place and travelling informs designing a collection
At the start of 2017 I travelled to Seoul, South Korea as part of the Australia Korea Emerging Designer Exchange Program. When applying for this program I was forced to think about EDITION's point of difference and purpose. This collection was really exciting for me as I decided to go right back to the start of my design process and look at the importance of zero waste fashion and how my Selvedge to Selvedge pattern making had developed.
While travelling as part of the program I was inspired to create a new collection from what I saw, I purchase fabrics in Seoul from the markets that I used in the two printed fabrics in the collection including the V top and Print Tie dress. I also meet a lovely lady named Meriel from Full Circle Fibres while in Brisbane and used her beautiful Aussie Super Cotton in the collection including the Raw jacket, Tie dress, Long jacket and Cape dress.
Seeing the huge volume of garments in Seoul confirmed to me that creating small collections and custom orders is a way that I can put what I create in the world and it will be loved and appreciated for a long time.
At the end of the program I invited two of the Korean designers to come to Canberra and stay with me for the weekend. Eeunhee and Kate kept saying that the colours of Canberra and the beautiful flow and calmness was reflected in my garments. I have always thought this myself and was wonderful to hear it from designers from the other side of the world.
Reveal Collection SS16/17
Photographer Lauren Campbell | Model Hannah Arnold from Victoria's Models | Hair and Makeup Hayley Boyle | Earrings Phoebe Porter
Concept |
Revealing a new way of dressing for events
This collection was a continuation from the collection I created for my own wedding. I wanted to explore creating garments that were more 'formal' than my previous collections but still using the fabrics that I love such as 100% Merino wool sourced from New Zealand, sheer cotton and viscose.
The exploration of materials and the female body influenced the shapes of the garments. I wanted to create pieces that were comfortable and functional while experimenting with sleeves and lower necklines to reveal and then conceal parts of the body.
Revealing a new way of dressing for events
This collection was a continuation from the collection I created for my own wedding. I wanted to explore creating garments that were more 'formal' than my previous collections but still using the fabrics that I love such as 100% Merino wool sourced from New Zealand, sheer cotton and viscose.
The exploration of materials and the female body influenced the shapes of the garments. I wanted to create pieces that were comfortable and functional while experimenting with sleeves and lower necklines to reveal and then conceal parts of the body.
Wedding collection SS16 - Custom orders welcome
Photographer Lauren Campbell | Makeup Hayley Boyle | Hair Leslie Henshaw
Concept |
Connection, ties, binding, holding
This collection, not surprisingly, was inspired by my relationship with my now husband and the way we came together to become a family . The process of creating the dresses begun by looking at the environment where we were getting married, the beautiful tones of the landscape near our house where the photos are taken and my connection to each person. I used belts and ties in some of the pieces to show the tying together of the two of us. The shapes of the dresses were influenced by their wearers and I spent one on one time with each woman to understand their body shape and making sure they felt as comfortable as possible in the pieces. In the collection my wedding dress is wool and the other dresses are viscose all having beautiful movement and allowing maximum comfort for effortless beauty.
Connection, ties, binding, holding
This collection, not surprisingly, was inspired by my relationship with my now husband and the way we came together to become a family . The process of creating the dresses begun by looking at the environment where we were getting married, the beautiful tones of the landscape near our house where the photos are taken and my connection to each person. I used belts and ties in some of the pieces to show the tying together of the two of us. The shapes of the dresses were influenced by their wearers and I spent one on one time with each woman to understand their body shape and making sure they felt as comfortable as possible in the pieces. In the collection my wedding dress is wool and the other dresses are viscose all having beautiful movement and allowing maximum comfort for effortless beauty.
Mirror Mirror AW15
Photographer Robert Coppa | Model Katie van den Bos | Makeup Amy Capeda | Hair Leslie Henshaw
Concept |
The Mirror Mirror collection explores the act and art of dressing in the morning. A mirror is always part of the process of getting dressed and I played on the idea of it distorting what you see and in return how garments can be distorted to make the experience something different to what you normally do. The body and the garments became elongated and exaggerated with striking silhouettes being formed. Each piece is designed to be explored by the wearer with a combination of viscose, wool and cotton being used throughout the collection.
The Mirror Mirror collection explores the act and art of dressing in the morning. A mirror is always part of the process of getting dressed and I played on the idea of it distorting what you see and in return how garments can be distorted to make the experience something different to what you normally do. The body and the garments became elongated and exaggerated with striking silhouettes being formed. Each piece is designed to be explored by the wearer with a combination of viscose, wool and cotton being used throughout the collection.
Entwine SS14/15
Photographer Simona Razmoska | Model Lauren Cooper | Makeup Elle Thomas | Hair Sarah Little
Concept |
en-twine: to twine with, about, around, or together.
The Entwine collection explores the relationship between a women and her body and how this can be altered by a garment. A garment is not created without considering the way it will entwine with the wearer.
Through this concise collection seam finishes have been refined so that garments are just as beautiful inside and out. 100% linen is the fabric used in the orange and cream garments, with the remainder of the collection made from quality viscose.
en-twine: to twine with, about, around, or together.
The Entwine collection explores the relationship between a women and her body and how this can be altered by a garment. A garment is not created without considering the way it will entwine with the wearer.
Through this concise collection seam finishes have been refined so that garments are just as beautiful inside and out. 100% linen is the fabric used in the orange and cream garments, with the remainder of the collection made from quality viscose.
In Motion AW14
Photographer Andrew O'Toole | Model Emily Nash | Makeup Kylie O'Toole | Hair Joey Scandizzo
Concept |
The In Motion collection was inspired by the pace in which life moves. Often it feels as through everything is going so slowly, yet there are not enough hours in the day. Everything keeps moving and changing and this idea of motion was translated into a circular shape that was used in the construction of each garment in the collection.
Each garment was only realised once it was tried and tested many times. The collection explores the potential of zero waste pattern making through the way shapes fit together and the way the pieces drape. The entire collection is made using sustainable, Selvedge 2 Selvedge zero waste pattern making.
100% Merino wool is the fabric used in the orange and cream garments, with the remainder of the collection made from quality viscose to allow for raw edges on garments.
The In Motion collection was inspired by the pace in which life moves. Often it feels as through everything is going so slowly, yet there are not enough hours in the day. Everything keeps moving and changing and this idea of motion was translated into a circular shape that was used in the construction of each garment in the collection.
Each garment was only realised once it was tried and tested many times. The collection explores the potential of zero waste pattern making through the way shapes fit together and the way the pieces drape. The entire collection is made using sustainable, Selvedge 2 Selvedge zero waste pattern making.
100% Merino wool is the fabric used in the orange and cream garments, with the remainder of the collection made from quality viscose to allow for raw edges on garments.
Until we Arrive SS13 /14
Photographer Kent Marcus | Model Katie van den Bos | Makeup & hair Hayley Boyle
Concept |
Until we Arrive: evolving, changing, continual searching, no final or end result
Place is an integral part of the EDITION design process, a strong connection to Canberra has been formed as it is where the garments are made and inspiration is found. The Until we Arrive collection is inspired by the journey of the Bogong moths each year as they travel to and from Canberra. In particular the landscapes they inhabit, such as the Australian Alps and rock forms around the Canberra region. The transformation of the moth's physical form during its lifecycle has inspired the stories in the collection.
Garments were only realised once they were tried and tested many times. The collection explores the potential of zero waste pattern making through the way the shapes fit together and the way the pieces drape.
Until we Arrive: evolving, changing, continual searching, no final or end result
Place is an integral part of the EDITION design process, a strong connection to Canberra has been formed as it is where the garments are made and inspiration is found. The Until we Arrive collection is inspired by the journey of the Bogong moths each year as they travel to and from Canberra. In particular the landscapes they inhabit, such as the Australian Alps and rock forms around the Canberra region. The transformation of the moth's physical form during its lifecycle has inspired the stories in the collection.
Garments were only realised once they were tried and tested many times. The collection explores the potential of zero waste pattern making through the way the shapes fit together and the way the pieces drape.
Uncover AW13
Photographer Robert Coppa | Model Katie van den Bos| Makeup Natalia Pastor | Hair Hayley Boyle
Concept |
un-cov-er: to make known, bring to light, disclose, reveal <uncover the truth>
This collection explores the process of working with cloth as the crucial element in the realisation of a garments aesthetic. Uncovering the importance of sustainable garments and practices for design. The EDITION pieces were realised once they were tried and tested many times, playing with hidden pockets and multifunctional aspects. By taking the cloth that inspired me through the way the shapes fit together and the way they drape, the collection explores the potential of zero waste pattern making.
un-cov-er: to make known, bring to light, disclose, reveal <uncover the truth>
This collection explores the process of working with cloth as the crucial element in the realisation of a garments aesthetic. Uncovering the importance of sustainable garments and practices for design. The EDITION pieces were realised once they were tried and tested many times, playing with hidden pockets and multifunctional aspects. By taking the cloth that inspired me through the way the shapes fit together and the way they drape, the collection explores the potential of zero waste pattern making.
The Observer follows SS12/13
Photographer Robert Coppa | Model Katie van den Bos | Makeup Natalia Pastor | Hair Amanda Fletcher
Concept |
This collection follows on from the EDITION graduating collection. The pieces are inspired by the Oddie Refractor observatory at Mount Stromlo in Canberra. By taking a place that inspires me through the history, textures, colours and ideas embedded into it, the collection is an addition to its history.
The EDITION design process begins with searching for a place to interpret into a wearable collection. I am drawn to places where there are traces of the past, which are organic, raw and have a rich history ingrained in them. While researching the history I take many photos of the place to truly capture the essence of it. These photos provide inspiration for the pattern making for EDITION garments, with design lines being drawn from the shapes in my photographs. The unique Selvedge 2 Selvedge pattern making system that works with the zero waste philosophy allows for a more sustainable approach to fashion design in the EDITION label. This practice allows for a piece of cloth to have integrity throughout the whole process, before it is a garment, while it is being made and once it is in the consumer’s hands.
This collection follows on from the EDITION graduating collection. The pieces are inspired by the Oddie Refractor observatory at Mount Stromlo in Canberra. By taking a place that inspires me through the history, textures, colours and ideas embedded into it, the collection is an addition to its history.
The EDITION design process begins with searching for a place to interpret into a wearable collection. I am drawn to places where there are traces of the past, which are organic, raw and have a rich history ingrained in them. While researching the history I take many photos of the place to truly capture the essence of it. These photos provide inspiration for the pattern making for EDITION garments, with design lines being drawn from the shapes in my photographs. The unique Selvedge 2 Selvedge pattern making system that works with the zero waste philosophy allows for a more sustainable approach to fashion design in the EDITION label. This practice allows for a piece of cloth to have integrity throughout the whole process, before it is a garment, while it is being made and once it is in the consumer’s hands.
The Observer - Debut collection 2011
Photographer Kent Marcus | Models Lauren Cooper and Katie van den Bos | Makeup Prue Curtotti | Hair Amanda Fletcher
Concept |
The Observer collection was inspired by the Oddie Refractor observatory at Mount Stromlo in Canberra, where the photoshoot took place. By taking a place that inspires me through the history, textures, colours and ideas embedded into it, I am able to add another layer to the place. It is a means for capturing the time and adding a piece to the history.
The EDITION design process begins with searching for a place to interpret into a wearable collection. I am drawn to places where there are traces of the past, that are organic, raw and have a rich history ingrain in them. While researching the history I take many photos of the place to truely capture the essence of it. These photos provide inspirtaiton for the pattern making for EDITION garments, with design lines being drawn from the shapes in my photographs. The unique Selvedge 2 Selvedge pattern making system that works with the zero waste philosphy allows for a more sustainable approach to fashion design. The Selvedge 2 Selvedge pattern making has been delveloped with designer Amy Taylor for AYLOR.
Key attributes that informed The Observer collection
- Uncertainty
- Exposed
- Ingrained
The Observer collection was inspired by the Oddie Refractor observatory at Mount Stromlo in Canberra, where the photoshoot took place. By taking a place that inspires me through the history, textures, colours and ideas embedded into it, I am able to add another layer to the place. It is a means for capturing the time and adding a piece to the history.
The EDITION design process begins with searching for a place to interpret into a wearable collection. I am drawn to places where there are traces of the past, that are organic, raw and have a rich history ingrain in them. While researching the history I take many photos of the place to truely capture the essence of it. These photos provide inspirtaiton for the pattern making for EDITION garments, with design lines being drawn from the shapes in my photographs. The unique Selvedge 2 Selvedge pattern making system that works with the zero waste philosphy allows for a more sustainable approach to fashion design. The Selvedge 2 Selvedge pattern making has been delveloped with designer Amy Taylor for AYLOR.
Key attributes that informed The Observer collection
- Uncertainty
- Exposed
- Ingrained